


Responsible for lighting and compositing of elements created by teammate using Houdini.

Very simple and clear shapes with almost decorative use but with a clear functionality. 3D Digital Artist, Lighting, Compositing. The concept behind the visual aesthetics was a mixture of victorian aesthetics and retro graphic style. And additional Compositing was done by Dani Garcia. The exterior house CG renders were done by Jeronimo Cabezas. Develop a graphical language and animate the digital screens.įrom an early stage of the project it was clear that the plates required to compose some of the shots where not defined, so I took the concept of the simple visual narrative and designed the vfx in a simple and effective way of shooting. As well as compose the final shots delivered. My role in the project was to, design, prepare and supervise the visual effects elements required to produce the digital composited shots. I am a proactive problem-solver and a team player who is always looking for ways to push the boundaries of what is possible. Skilled in Nuke, with a strong understanding of color grading, 3D and deep compositing.
#Digital compositor reel series#
Please ask us for the possibilities.Digital Compositing Reel for the Shortfilm ``AMO´´ in 2016 VFX Compositor with over 7 years of experience creating photorealistic VFX for feature films, tv series and commercials. Our Amsterdam studio features remote connections for clients to follow along this process in real-time. Making sure digital matte painting work can have quick iterations from compositing to grading which offers client fast feedback of the end result. Use of this website signifies your agreement to the Terms of Use, Privacy Policy, and use of cookies. In this reel you can find some shots i made for : Exposos,Corazn de len, Los inocentes, La planta insolente, Madre Laura, Darkness. Digital Juice is back on the video visual effects scene with a much-awaited third volume of superb high-quality visual effects elements, this time focusing on the many properties of liquid. Our integrated VFX department features CG, Compositing and grading teams in the same location for optimal collaboration between the departments. Sometimes working in collaboration with the CG team for projections on 3D geometry so the digital matte paintings get the proper depth and perspective when the camera moves. Our compositing department takes care of more digital matte paintings.

We are often involved early on in planning and scheduling of projects to make sure the most efficient choice is made. We like to think with creative, DOP’s and directors to make sure the best approach is chosen for the creative idea, time and budget. Postoffice looks for the best and most efficient solution to tackle each shots we do. Whereas Enbridge uses mostly compositing, our Floriade ad features a strong combination of CGI and compositing for the digital matte paintings. Examples can also be found in our Enbridge commercial for which we did a bunch of environment work to enhance the shots and sometimes even create skylines from scratch. To make a shoot that was shot in the Netherlands feel like it’s in France for example by adding mountains in compositing. That’s where digital matte paintings can come into play too. Here you can find a selection of the amazing shows Ive worked in 2022 as VFX digital compositor. As a DC you should also be a team player.
#Digital compositor reel software#
Knowledge of common compositing software programs such as Nuke or other image editing tools is also important. Sometimes shoots can’t take place in the desired location because of budgetary or logistic reason. Digital compositors should have a good eye for what makes good photography and cinematography, for example a feeling for light, composition and perspective. We often make environments snowy for Christmas commercials or sunny for other ads where the weather wasn’t the best on the shooting day. Postoffice has years of experience in creating digital matte paintings. Digital matte painting is the process of altering the environment of shots in compositing.
